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Over There Tin Pan Alley Goes To War, 1915-19 Thu, Jul 30, 2:00 - 3:15 pm Jaqua Concert Hall, The Shedd Institute |
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In 1917 when President Wilson, a vaudeville fan, brought America into the Great War Tin Pan Alley, the New York song factory, was soon doing its duty, whipping up a patriotic zeal while conducting business as usual.
More songs were published during that brief war period than at any time before or since. The Alleymen both propagandized and humanized this War To End All Wars.
Rallied by a government intent on a unified republic (where no question would be asked), the newish music industry contributed pell-mell, covering every aspect of the conflict both at home and at the front. Mostly the song product was politically correct ("Let's All Be Americans Now") but sometimes the Alleymen went too far ("I Don't Want To Get Well--I'm in Love With A Beautiful Nurse"). To create a patriotic spirit the government sent song leaders around the country armed with approved material. Even so, the songwriters generally viewed the war as one big vaudeville show.
The legacy of this flood of music is a library whose hits throw light on the average American's feelings at the time, albeit through the prism of a mass-marketing business. There are songs that have lasted-- from the romantic "Till We Meet Again" to the comically sociological "How Ya Gonna Keep 'Em Down On The Farm?". And, of course, Sergeant Irving Berlin tried out "God Bless America" in his All-Soldier revue. Dropped from the show the patriotic ballad would find a sympathetic market two decades later when European war clouds again gathered.
| | I Didn't Raise My Boy To Be A Soldier(1915) | A. Bryan (w), A. Piantadosi (m) |
| | The War In Snider's Grocery Store(1914) | B. MacDonald/H. Hancock/H. Carroll (w/m) |
| | They're Wearing 'Em Higher In Hawaii(1916) | J. Goodwin (w), H. Mohr (m) |
| | Over There(1917) | G. Cohan (w/m) |
| | We Don’t Want The Bacon (What We Want Is A Piece Of The Rhine)(1918) | J. Havens/". Carr/H. Russell (w/m) |
| | Joan of Arc They Are Calling You(1917) | A. Bryan/W. Weston (w), J. Wells (m) |
| | Hello Central, Give Me No Man's Land(1918) - introduced in Sinbad | J. Young/S. Lewis (w), J. Schwartz (m) |
| | I Don't Want To Get Well (I'm In Love With A Beautiful Nurse)(1917) | H. Johnson/H. Pease (w), J. Schwartz (m) |
| | For Me And My Gal(1917) | E. Goetz/E. Leslie (w), G. Meyer (m) |
| | Oh, How I Hate To Get Up In The Morning(1918) | I. Berlin (w/m) |
| | When Alexander Takes His Ragtime Band To France(1918) | E. Leslie/A. Bryan/C. Hess (w/m) |
| | The Darktown Strutters' Ball(1917) | S. Brooks (w/m) |
| | How 'Ya Gonna Keep 'Em Down On The Farm (After They've Seen Paree)?(1918) | J. Young/S. Lewis (w), W. Donaldson (m) |
| | Till We Meet Again(1918) | R. Egan (w), R. Whiting (m) |
| | | Featured composers, lyricists, creators | | | | | Irving Berlin Shelton Brooks Alfred Bryan "Kid" Howard Carr Harry Carroll George M. Cohan Walter Donaldson Raymond B. Egan E. Ray Goetz Joe Goodwin Hank Hancock Jimmy Havens Cliff Hess Howard Johnson Edgar Leslie Sam Lewis Ballard MacDonald George Meyer Halsey Mohr Harry Pease Al Piantadosi Harry Russell Jean Schwartz Jack Wells Willie Weston Richard Whiting Joe Young
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Over There Ticket Prices |
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| AA | 26.00 | 22.25 | 21.00 | 19.50 | 13.00 | | A | 22.00 | 18.75 | 17.75 | 16.50 | 11.00 | | B | 18.00 | 15.50 | 14.50 | 13.50 | 9.00 | | O | 18.00 | 15.50 | 14.50 | 13.50 | 9.00 |
 | Jaqua Concert Hall The John G. Shedd Institute for the Arts 285 E Broadway Eugene, Oregon 541-434-7000 |
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Purchase tickets at: 1. The Shedd Ticket Office 541.434.7000 2. The Hult Ticket Office 541.682.5000
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