Marisa Frantz & company are joined by vocalists Shelley James, Tab Houston and Gene Newbold for an evening of classics from the 1960s and '70s which were backed by the legendary loose-knit complex of Los Angeles session musicians, now generally referred to as "The Wrecking Crew", who played on the studio recordings of many of the greatest pop hits of the period and helped define its sound and style
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| Event Personnel |
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| Vocalists |
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| Musicians |
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| |  | Monday, Monday (1966) John Phillips (w/m)
First recorded by The Mamas and the Papas |
| |  | Mrs. Robinson (1968) Paul Simon (w/m)
First recorded by Simon & Garfunkel |
| |  | Bonanza (1959) Bonanza Ray Evans, Jay Livingston (w/m) |
| |  | Can't Buy Me Love (1964) Paul McCartney, John Lennon (w/m)
First recorded by The Beatles |
| |  | Never My Love (1967) Dick Addrisi, Don Addrisi (w/m)
First recorded by The Association |
| |  | Be My Baby (1963) Ellie Greenwich, Jeff Barry, Phil Spector (w/m)
First recorded by The Ronettes |
| |  | I Got You Babe (1965) Sonny Bono (w/m)
First recorded by Sonny and Cher |
| |  | Sooner Or Later (1971) Gary Zekley, Ekundayo Paris, Adeniyl Paris, Edward McNamara, Mitchell Bottler (w/m)
First recorded by The Grass Roots |